In 1985, Marta became the band's lead singer replacing Vicky Larraz, which brought her to fame and made her one of the biggest sex symbols of the 1980s in Spain, during a time when the country was easing the traditional rigid moral values of Catholicism. She began her musical career with the band Cristal Oskuro, but shortly after she was discovered by Tino Azores, a sound technician for the popular pop/rock group Olé Olé. Her father, Antonio Sánchez Camporro, was an Asturian opera singer. She has sold in excess of 10 million albums. She wrote: “Regardless of where I am living, I will always be the Chicana from San Antonio, Texas.Marta Sánchez López (born ) is a Spanish singer.
Sanchez has been painting and teaching art in Pennsylvania for the past 30 years, but she is deeply committed to her Texas roots. Coronado founded a silkscreen print studio in the mid-1980s and invited prominent artists to participate in his Coronado Studio Serie print project.
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In the late 1990s, Marta Sanchez returned to Austin for several weeks to engage in a train-yard art print series with artist and print master Sam Coronado. Moreover, Mexican workers helped build the railroad lines and were dependent upon the trains as a means of moving to and from San Antonio. Trains brought manufactured goods to the city and made possible the shipment of economic resources such as cattle and agricultural products.
She considered the railroad key to San Antonio’s early economic development. The railroads came to San Antonio 120 years before any artist took an interest in them.
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“There I would draw the landscape full of trains and wonder about their departures and arrivals.” As a child, she also admired the train track patterns and the hundreds of trains gathered at the railyards daily. Her family lived a few blocks from the large train yards of San Antonio’s Eastside, and she often watched trains come and go from her family porch. She visited the ancient site of Pompei where she studied the Roman Retablos –art on flat tin plates, an ancient process that fascinated her.Īs a result of growing up in San Antonio, Sanchez has been fascinated with railroads. At Temple University Sanchez also took the opportunity to participate in their education abroad program in Italy. The following year she enrolled in the Masters of Fine Arts program at Temple University in Philadelphia. Sanchez developed as an artist while at UT Austin but decided by her senior year in college to also pursue a graduate degree that would prepare her to teach in the art field as well. Sanchez had several of her art works shown at Las Manitas. Three years later, two graduates of the UT Austin Fine Arts Department, Sylvia Orozco and Sam Coronado, teamed up to open the Mexican American art center Mexic-Arte near Las Manitas. In 1981 the sisters opened a restaurant, Las Manitas, on Congress Avenue where they excelled in serving Mexican food and exhibiting Chicano art. The Perez sisters moved to Austin from San Antonio to attend the University of Texas. I was aware, however, of the early efforts of several Chicanas in Austin, including Sylvia Orozco, and sisters Cynthia and Libby Perez, to introduce Chicano art to a larger audience. I taught in the History Department at UT Austin in the 1980s but never had a chance to meet Sanchez. Sanchez, “Detained Series,” Oil on Masonite. Sanchez wrote: “My work slowly turned from being purely artistic to becoming art that served a purpose as I evolved from being a student to an artist, to a Chicana artist.” The Texas capital city also supported the emergence of local Chicano artists Raul Valdez, Luis Guerra, and Jose Trevino during the early 1980s.
To find her voice as an artist, Sanchez gained inspiration from Austin’s many exhibitions, plays, and jazz sessions. Barraza and Peña emerged as central figures in the development of Chicano art in Texas. Sanchez also met Amado Peña who like Barraza, had studied at Texas A&M Kingsville. On the UT campus, she met Santa Barraza, a talented young artist and graduate student in the University’s Masters in Fine Arts program. Sanchez’s years at UT Austin were key to her development as a Chicana artist. During her years in Austin, she worked part-time as a waitress at the famed Cisco’s Bakery on 6th Street on the Eastside of the city which reinforced her Chicana cultural roots. After two years, she transferred to the University of Texas at Austin where she majored in Fine Arts. Courtesy of the artist.įollowing high school graduation, Sanchez chose to enroll in the art program at Texas Women’s University in Denton where she had received partial scholarship assistance. Sanchez, “Mother and Son,” oil on masonite.
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